War of the Worlds: Blog tasks
1) What is the history and narrative behind War of the Worlds?
The radio broadcast of "The War of the Worlds" by Orson Welles aired on October 30, 1938. It is said that it caused widespread panic among listeners who believed the Martian invasion was real.
3) How did the New York Times report the reaction the next day?
4) How did author Brad Schwartz describe the the broadcast and its reaction?
Captured listeners' attention with its realistic news about a Martian invasion. He also discussed how reports of widespread panic were exaggerated.
5) Why did Orson Welles use hybrid genres and pastiche and what effect might it have had on the audience?
To make the broadcast feel realistic and engaging, aiming to captivate listeners with its unrealistic broadcast.
6) How did world events in 1938 affect the way audiences interpreted the show?
World events in 1938, included political tensions and the threat of war making the audience believe this was real.
7) Which company broadcast War of the Worlds in 1938?
Mercury Theatre on the Air, which was part of the CBS radio network.
8) Why might the newspaper industry have deliberately exaggerated the response to the broadcast?
Yes, "The War of the Worlds" broadcast does provide evidence to support the Frankfurt School's Hypodermic Needle theory. This theory suggests that media messages are directly put into audiences, shaping their beliefs and behaviour.
10) How might Gerbner's cultivation theory be applied to the broadcast?
Gerbner's cultivation theory suggests that seeing the same media messages can shape perceptions of reality. In the case of "The War of the Worlds" broadcast, it influenced how audiences viewed if the Media was truthful.
11) Applying Hall's Reception Theory, what could be the preferred and oppositional readings of the original broadcast?
Preferred Reading: Listeners understood it as entertainment, appreciating the drama without believing it was real.
Oppositional Reading: Some interpreted it as a real news, causing fear and panic among those who missed the disclaimer.
Reception Theory: It explores how audiences interpreted the broadcast, with some receiving it as entertainment (preferred reading) and others mistaking it for real news (oppositional reading).
Hypodermic Needle Theory: It considers whether the broadcast went into fear, it was a direct impact on beliefs and reactions.
Cultivation Theory: It shows how the repeated message may shape ideas and beliefs.
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